Songs (Attributes: 66)
Song Title - The title of the song. If there are multiple songs with identical titles, the name of the Artist is added in parentheses.
Lyrics Link - Most of the lyrics are found on azlyrics.com.
Lyrics - The lyrics in full text
Metaphors - The poetic imagery, figurative expressions, or core metaphors used within the lyrics to convey deeper symbolic meanings.
Explanation - A clarifying note or breakdown explaining the symbolic meaning, underlying message, or intended interpretation behind the metaphor.
The values are structured using a colon (e.g., Body:Anatomy:Heart) to create a hierarchical format, where the text before the colon defines the main group and the text after specifies the individual trait.
Meta Tags - Categorization tags assigned to the song to group it by specific themes, genres, eras, or structural characteristics.
Authors - Authors is a combination of both lyricist and composer
Profane - Flags content that contains blasphemy, sacrilegious references, or offensive language directed at sacred figures or religious doctrines.
| Value | Explanation |
|---|---|
| 🆗 | The song has no profane content |
| ⚠️ | The song is flagged because of profane content |
Improper - Flags content that contains crude, vulgar, or inappropriate language that falls outside standard public decency or context.
| Value | Explanation |
|---|---|
| 🆗 | The song has no improper content |
| ⚠️ | The song is flagged because of improper content |
Anti-Chr - Flags content featuring themes, lyrics, or messages that explicitly oppose, reject, or speak out against the Christian faith.
| Value | Explanation |
|---|---|
| 🆗 | The song has no Anti-Christian content |
| ⚠️ | The song is flagged because of Anti-Christian content |
Rhyme -
Mod (Perm) - Indicates that the song permanently shifts to a new key and remains there for the remainder of the track, most commonly seen in a final chorus transposition to build emotional intensity.
| Value | Explanation |
|---|---|
| Half Up | A shift of key a half step up. |
| Half Down | A shift of key a half step down. |
| Whole Up | A shift of key a whole step up. |
| Whole Down | A shift of key a whole step down. |
| Minor Third Up | A shift of key a minor third step up. |
| Minor Third Down | A shift of key a minor third step down. |
| Third Up | A shift of key a third step up. |
| Third Down | A shift of key a third step down. |
| Fourth Up | A shift of key a fourth step up. |
| Fourth Down | A shift of key a fourth step down. |
| Tritone Up | A shift of key a tritone up (3 whole steps). |
| Tritone Down | A shift of key a tritone down (3 whole steps). |
Mod (Temp) - Indicates a brief, temporary shift to a different key—such as a sudden upward transposition for the chorus—before returning to the original home key when the song transitions back to the verse.
Recording Tags - A collection of descriptive tags used to classify and highlight specific production techniques, musical characteristics, arrangement structures, thematic concepts, and ending styles within a song.
| Value | Explanation |
|---|---|
| 3rd + sus4 | Indicates the unique inclusion or voicing of both a suspended fourth and a third within the chord structure, blending tension with harmonic definition. |
| Add Measure | Indicates that an extra measure or bar is added to a standard phrase or chord progression, creating a deliberate rhythmic extension. |
| Arpeggiator | Indicates the prominent use of an arpeggiator effect, automatically cycling through the notes of a chord in a sequence. |
| Atonality Movement | Indicates passages or movements within the track that intentionally lack a clear tonal center or home key. |
| Avoid 7th | Indicates the deliberate omission of the seventh note/interval in chords where it would traditionally be expected. |
| Beat change | Indicates a noticeable shift or transition in the underlying rhythm, groove, or beat pattern during the song. |
| Blues scale | Indicates the application of the blues scale, utilizing characteristic lowered notes and blues notes for melodic or harmonic flavor. |
| Break | Indicates a temporary instrumental breakdown or pause where part of the instrumentation drops out to highlight rhythm or structure. |
| Christmas | Indicates a holiday or Christmas-themed song, often featuring seasonal lyrical themes or traditional festive instrumentation. |
| Common Time > Double Time | Indicates a transition from a standard common time feel to a double-time feel, making the tempo feel twice as fast. |
| Common Time > Half Time | Indicates a transition from a common time feel to a half-time feel, making the groove feel half as fast or more spacious. |
| Cover / Genre change | Indicates that the track is a cover version, or features a deliberate structural shift into a completely different musical genre. |
| Date/Time related songs | Indicates that the song's lyrical theme or concept is explicitly tied to specific dates, times, or temporal milestones. |
| Does not start on I | Indicates that the song opens on a chord other than the tonic (I) chord, creating an immediate sense of harmonic suspense. |
| Double Bass | Indicates the prominent use of an acoustic double bass (contrabass) in the instrumentation. |
| Double Time > Common Time | Indicates a transition moving backward from a fast double-time feel into a standard common time rhythm. |
| Ending Band out | Indicates an arrangement ending where the entire band cuts out abruptly together rather than fading out. |
| Ending Fade out | Indicates a track conclusion that gradually fades out in volume until silence. |
| Ending on Tonic | Indicates that the song resolves and finishes on its home tonic (I) chord for a complete sense of finality. |
| Ending on IV | Indicates that the song concludes on the subdominant (IV) chord, leaving the ending with an open or unresolved quality. |
| Ending on V | Indicates that the song concludes on the dominant (V) chord, creating a suspended, anticipatory ending. |
| Ending on vi | Indicates that the song resolves and ends on the submediant (vi) minor chord for an unexpected or bittersweet conclusion. |
| Feel Good Song | Indicates an upbeat, cheerful track designed to evoke positive emotions and a joyful mood. |
| Fretless Bass | Indicates the use of a fretless bass guitar, recognizable by its smooth, sliding pitch transitions and characteristic warm tone. |
| GEO related songs | Indicates that the song's lyrical theme, title, or concept is explicitly connected to specific geographical locations, cities, or countries. |
| Half Time > Common Time | Indicates a transition moving upward from a spacious half-time groove into a standard, driving common time rhythm. |
| Imaj7/III | Indicates the use of a major seventh chord built on the mediant (III) scale degree, creating a lush, distinctive harmonic color. |
| Irregular measure | Indicates the presence of irregular or asymmetric time signatures (such as 5/4, 7/8) that break the standard meter. |
| Lowered 5th | Indicates the inclusion of a diminished or lowered fifth interval within a chord or melodic line, adding a tense or bluesy flavor. |
| Major / 1st inversion | Indicates a major triad played in its first inversion, with the third of the chord positioned as the lowest bass note for a smoother bassline flow. |
| Major > Minor | Indicates a harmonic shift where a key or chord structure transitions from a bright major quality to a darker minor quality. |
| Minor / 1st inversion | Indicates a minor triad played in its first inversion, placing the minor third in the bass for a softer, less rooted feel. |
| Minor > Major | Indicates a harmonic shift where a key or chord structure transitions from a moody minor quality to a bright major quality (often related to a Picardy-style brightening). |
| Movie | Indicates that the song is part of a film soundtrack, featured in a movie, or possesses a distinctly cinematic compositional style. |
| No 1st inversion | Indicates that the arrangement strictly avoids first-inversion chords, keeping root notes firmly in the bass for maximum harmonic weight. |
| Non Chord note(s) | Indicates the deliberate use of melodic or harmonic notes that sit outside the current chord structure to create passing tension or color. |
| Non Diatonic Melody | Indicates a melodic line containing notes that fall outside the standard diatonic scale of the current key. |
| Open Ending | Indicates an arrangement that concludes abruptly or ambiguously without a traditional musical resolution. |
| Orchestral Hit | Indicates the striking, dramatic use of a full orchestral stab or hit as a punctuation mark in the arrangement. |
| Pentatonic Scale | Indicates a heavy reliance on the five-note pentatonic scale for melodies, riffs, or solos. |
| Piano/Pad | Indicates a blended keyboard arrangement combining an acoustic piano with a sustained synthesizer pad texture. |
| Picardy 3rd | Indicates a song in a minor key that unexpectedly resolves its final cadence on a major tonic chord for a sudden uplifting finish. |
| Raised 5th | Indicates the use of an augmented or raised fifth interval within a chord, creating an unstable, suspenseful sound that begs for resolution. |
| Refrain | Indicates the presence of a recurring lyrical and melodic phrase (refrain) that anchors sections of the song, distinct from a full chorus. |
| Rubato | Indicates an expressive, flexible tempo where the performance speeds up and slows down freely for emotional effect rather than following a strict metronome. |
| Single instrument | Indicates a sparse arrangement driven primarily by just one isolated instrument accompanying the vocals. |
| Single voice strings | Indicates a string arrangement featuring a single, unlayered melodic line rather than a thick orchestral chordal pad. |
| Skip Measure | Indicates an unexpected truncation in the rhythmic structure where a measure is skipped or dropped, altering the anticipated flow. |
| Songs about a car brand | Indicates that the song's lyrical theme or concept explicitly references specific automobile brands or car culture. |
| Songs about a name | Indicates that the song centers around a specific proper name used in the title or lyrical narrative. |
| Strings (synth) | Indicates the prominent use of synthesized or electronic string sounds rather than acoustic orchestral instruments. |
| Strings pizzicato | Indicates that the string instruments are plucked rather than bowed, creating a crisp, staccato rhythmic texture. |
| Tear Jerking Song | Indicates an emotionally heavy, melancholic track explicitly designed to evoke deep sadness or powerful sentimental feelings. |
| Tonality switch | Indicates a noticeable, deliberate shift in tonal center or overall musical mood during the course of the track. |
| Tritone | Indicates the use of the sharply dissonant tritone interval (the augmented fourth / diminished fifth), historically known as the diabolus in musica. |
| TV Show | Indicates that the song is tied to television programming, such as being a theme song, featured needle-drop, or written specifically for a series. |
| Wedding | Indicates a song tailored or commonly chosen for wedding ceremonies, romantic celebrations, or marital themes. |
| Whole tone scale | Indicates the application of the whole-tone scale (composed entirely of whole steps), creating a dreamy, ambiguous, floating atmosphere. |
| Without a Bridge | Indicates a song structure that intentionally omits a traditional bridge section, moving directly between verses and choruses. |
| Without a Chorus | Indicates an unconventional song form that lacks a standard recurring chorus (such as through-composed tracks or verse-only structures). |
| Without a I | Indicates that the home tonic (I) chord is entirely absent throughout the harmonic progression of the song. |
| Without a IV | Indicates that the subdominant (IV) chord is omitted from the chord vocabulary of the track. |
| Without a V | Indicates the absence of the dominant (V) chord, avoiding standard traditional cadence resolutions. |
| Without a Verse | Indicates a non-traditional layout that bypasses standard verse structures. |
| Without constant BPM | Indicates a performance that lacks a rigid, locked tempo, featuring natural tempo drift, accelerandos, or ritardandos. |
| Without intro | Indicates that the song starts immediately with vocals, bypassing any instrumental intro. |
Vocal Info - A categorized breakdown of the vocal performance, indicating details such as vocal arrangements, lead singer gender or harmonies.
| Value | Explanation |
|---|---|
| 2nd voice add (female) | Indicates the addition of a secondary female harmony voice layered alongside the main vocal track. |
| 2nd voice add (male) | Indicates the addition of a secondary male harmony voice layered alongside the main vocal track. |
| A cappella | Indicates a purely vocal performance or song section executed entirely without instrumental accompaniment. |
| Ad Lib (female) | Indicates improvised, expressive female vocal runs, embellishments, or spoken ad-libs, often featured toward the end of the track. |
| Ad Lib (male) | Indicates improvised, expressive male vocal runs, embellishments, or spoken ad-libs, often featured toward the end of the track. |
| Autotune | Indicates the noticeable or stylistic use of pitch-correction software (Autotune) on the vocals. |
| Canon | Indicates a polyphonic vocal arrangement where a melodic line is imitated by successive voices entering at different delays (like a round). |
| Children | Indicates the inclusion of children's vocals, often featured in choruses, background layers, or special sections. |
| Choir | Indicates the prominent use of a large ensemble choir providing rich, multi-voice harmonies. |
| Duet (female/female) | Indicates a vocal performance shared equally between two female lead singers. |
| Duet (male/female) | Indicates a vocal performance shared equally between a male and a female lead singer. |
| Duet (male/male) | Indicates a vocal performance shared equally between two male lead singers. |
| Four part harmony | Indicates a rich vocal texture built using four distinct harmonic parts (typically Soprano, Alto, Tenor, and Bass). |
| Gregorian | Indicates the style of Gregorian chant, featuring unaccompanied, monophonic sacred vocal lines in free rhythm. |
| Lead (female) | Indicates that the primary lead vocal is performed by a female voice. |
| Lead (male) | Indicates that the primary lead vocal is performed by a male voice. |
| Lead dubb | Indicates that the main lead vocal track is doubled (recorded twice and layered) to create a thicker, fuller vocal presence. |
| No BGV harmony | Indicates that background vocals are present, but they are sung in unison rather than splitting into distinct harmonies. |
| Octave up (male) | Indicates a male vocal line doubled or shifted exactly one octave higher than the main register. |
| Octave down (female) | Indicates a female vocal line doubled or shifted exactly one octave lower than the main register. |
| Octave down (male) | Indicates a male vocal line doubled or shifted exactly one octave lower than the main register. |
| Octave up (female) | Indicates a female vocal line doubled or shifted exactly one octave higher than the main register. |
| Rap | Indicates the inclusion of rhythmically spoken or chanted rhyming lyrics (rap verses). |
| SAT | Indicates a three-part vocal arrangement scored for Soprano, Alto, and Tenor voices. |
| SATB | Indicates the standard four-part mixed choral arrangement scored for Soprano, Alto, Tenor, and Bass voices. |
| SSA | Indicates a three-part vocal arrangement scored for two sopranos and an alto, creating a distinct higher-register female harmony. |
| TTB | Indicates a three-part vocal arrangement scored for two tenors and a baritone or bass, creating a rich lower-register male harmony. |
| Unison | Indicates that multiple voices sing the exact same melodic line and pitches simultaneously without harmonic separation. |
| Unison (female/female) | Indicates a unison vocal performance executed by two or more female voices singing together in the same register. |
| Unison (male/female) | Indicates a unison vocal performance featuring both male and female voices blending together on the exact same melodic line, specifically referencing the unique sonic texture created when the male voice sings an exact octave above the female voice to achieve a seamless, blended unison sound. |
| Unison (male/male) | Indicates a unison vocal performance executed by two or more male voices singing together in the same register. |
| Vocoder | Indicates the use of a vocoder effect to electronically process and modulate the vocal sound with a synthesizer. |
| With BGV | Indicates the inclusion of background vocals supporting the main lead performance. |
| With BGV lyrics | Indicates that the background vocals feature distinct, comprehensible words and lyrical phrases rather than non-lexical sounds. |
| With BGV oo/aa | Indicates that the background vocals utilize vowel-based sounds (such as "oo" or "aa") to create a smooth, atmospheric harmony pad. |
| Without BGV | Indicates a clean vocal arrangement that completely lacks background vocals or harmonies behind the lead. |
Solo Info - Provides specific details regarding the musical solos within the track, such as their structural placement.
| Value | Explanation |
|---|---|
| Has no odds (time/key) | Indicates that the solo follows standard expectations without surprises, maintaining the established time signature and remaining entirely within the current key of the song. |
| INTERLUDE | Indicates an instrumental passage within the song structure that features no soloing, serving purely as a musical bridge or transition. |
| Late start - extra measure | Indicates that the solo begins slightly later than the expected downbeat, bridged by an extra measure added to the musical phrasing. |
| Leads to another key | Indicates a transitional chord progression or modulation that purposefully prepares and leads directly into a new key center. |
| Quick start - skip measure | Indicates that the solo starts ahead of the regular downbeat or skips an expected measure, creating an accelerated or sudden entry into the phrase. |
| Starts in different key | Indicates that the solo begins in a different key than the preceding section, introducing a sudden tonal shift right at the start of the lead part. |
| Starts on an unexpected chord | Indicates that the solo begins on a surprising, non-diatonic, or unconventional chord instead of landing on the expected home or tonic chord. |
Solo Instr - Identifies the specific musical instrument used to perform the featured solo section of the song (e.g., electric guitar, saxophone, piano).
YT Solo Start - Specifies the exact timestamp where the featured solo begins within the linked YouTube video of the track.
Spotify Instr - Indicates specific details, timestamps, or links regarding the instrumental version or instrumental sections of the track available on Spotify.
Awards - Lists any major music industry awards that the song or specific recording has officially won.
Nominations - Lists any official music industry award nominations the song has received, regardless of the final outcome.
Chart Type - Specifies the particular musical chart (such as the Billboard Hot 100, UK Singles Chart, or Hot Christian Songs) where the song made an appearance.
Chart Position - Indicates the highest peak rank or specific position the song achieved on its respective musical chart.
Premium - Indicates the exclusive status achieved by a song when it meets all required performance milestones: earning either an Award or a Nomination, reaching a #1 position on a major chart, and securing an official sales certification.
Diamond - Indicates a special 'Diamond' status, representing either an elite industry sales certification (e.g., 10 million units sold) or a top-tier classification within the catalog.
Certification - Details the official sales and streaming certifications the track has earned (such as Gold, Platinum, or Multi-Platinum) as awarded by recording industry organizations.
| Value | Explanation |
|---|---|
| ARIA - Gold | Indicates a recording certified Gold by the Australian Recording Industry Association (ARIA) based on established sales thresholds. |
| ARIA - Multi Platinum | Indicates a recording certified Multi-Platinum by the Australian Recording Industry Association (ARIA) for achieving multiple platinum sales thresholds. |
| ARIA - Platinum | Indicates a recording certified Platinum by the Australian Recording Industry Association (ARIA) based on established sales thresholds. |
| BPI - Diamond | Indicates a recording certified Diamond by the British Phonographic Industry (BPI) for reaching exceptionally high commercial sales milestones. |
| BPI - Gold | Indicates a recording certified Gold by the British Phonographic Industry (BPI) based on official UK sales thresholds. |
| BPI - Multi Platinum | Indicates a recording certified Multi-Platinum by the British Phonographic Industry (BPI) for achieving multiple platinum sales milestones in the UK. |
| BPI - Platinum | Indicates a recording certified Platinum by the British Phonographic Industry (BPI) based on official UK sales thresholds. |
| BPI - Silver | Indicates a recording certified Silver by the British Phonographic Industry (BPI) based on official UK sales thresholds. |
| CRIA - Gold | Indicates a recording certified Gold by Music Canada (formerly CRIA) based on official Canadian sales thresholds. |
| CRIA - Platinum | Indicates a recording certified Platinum by Music Canada (formerly CRIA) based on official Canadian sales thresholds. |
| IFPI - Multi Platinum | Indicates a recording certified Multi-Platinum internationally by the International Federation of the Phonographic Industry (IFPI). |
| NVPI - Gold | Indicates a recording certified Gold by NVPI, representing official sales milestones within the Dutch music market. |
| RIAA - Diamond | Indicates a recording certified Diamond by the Recording Industry Association of America (RIAA) for achieving massive sales milestones of 10 million units or more. |
| RIAA - Gold | Indicates a recording certified Gold by the Recording Industry Association of America (RIAA) for reaching official US sales thresholds. |
| RIAA - Multi Platinum | Indicates a recording certified Multi-Platinum by the Recording Industry Association of America (RIAA) for achieving multiple platinum sales thresholds in the US. |
| RIAA - Platinum | Indicates a recording certified Platinum by the Recording Industry Association of America (RIAA) for reaching official US sales thresholds. |
Wikipedia Song - A direct link or reference to the song's dedicated Wikipedia page for encyclopedic background and historical information.
Spotify Song - A direct link to the track's official audio listing on Spotify for immediate playback.
Songfacts - Indicates a link to Songfacts, providing behind-the-scenes trivia, lyrical meanings, and background stories about the track.
Multitracks -
HookTheory - Indicates a reference to HookTheory, linking to its harmonic analysis, chord visualizer, and theory breakdown.
YouTube Song - A direct link to the official music video or audio stream of the song on YouTube.
Apple Music Song - Indicates a direct link to the track's listing on Apple Music for streaming and purchase.
CCLI - Indicates a reference or license registration code linked to Christian Copyright Licensing International for worship music usage.
Ch Complex - Chord Complexity - A Hook Theory metric that measures how complex a song's chord progression is, based on the frequency of non-diatonic chords, borrowed chords, and advanced harmonic shifts.
Mel Cmplx - Melodic Complexity - A Hook Theory metric that evaluates how intricate and unpredictable a song's melody is, looking at the distribution of note intervals and melodic leaps.
Ch Mel Tens - Chord-Melody Tension - A Hook Theory metric that quantifies the harmonic tension created by the interplay between the melody notes and the underlying chord progression.
Ch Prog Nov - Chord Progression Novelty - A Hook Theory metric that measures how unique or unusual a chord progression is compared to standard, highly predictable pop progressions.
Ch-Bs Mel - Chord-Bass Melody - A Hook Theory metric that analyzes the relationship and movement between the root notes of the chords and the accompanying bassline or melodic contour.
Spot-Dance - Spotify Danceability - Indicates Spotify's algorithmic metric measuring how suitable a track is for dancing based on a combination of tempo, rhythm stability, and beat strength.
Spot-Energy - Spotify Energy - Indicates Spotify's algorithmic measure of intensity and activity, reflecting how fast, loud, noisy, and energetic a track feels.
Spot-Valance - Spotify Valence - Indicates Spotify's algorithmic measure describing the musical positiveness conveyed by a track, where higher values sound more cheerful and happy, and lower values sound more sad or angry.
Genre - Serves as the broad, overarching musical category that classifies a song based on its primary style, cultural roots, and general sonic identity.
| Value | Explanation |
|---|---|
| Afro-Caribean | |
| Blues | |
| Celtic | |
| Children's Music | |
| Classical | |
| Country | |
| Dance | |
| Disco | |
| Folk | |
| Funk | |
| Fusion | |
| Hip-Hop | |
| House | |
| Instrumental | |
| Jazz | |
| Latin | |
| Metal | |
| Pop | |
| Punk | |
| R&B | |
| Rap | |
| Reggae | |
| Rock | |
| Rockabilly | |
| Singer/Songwriter | |
| Soul | |
| Soundtrack | |
| Trance | |
| Vocal | |
| World |
Content - Indicates the thematic, lyrical, or stylistic focus of a song, distinguishing between faith-based, secular, crossover, or instrumental compositions.
| Value | Explanation |
|---|---|
| Christian | Indicates songs with explicit Christian lyrical themes, messages of faith, worship, or praise. |
| Crossover | Indicates songs that successfully bridge multiple categories or styles, often blending elements of both Christian and secular music appeal. |
| Instrumental | Indicates musical compositions that feature instruments primarily without vocals or spoken lyrics. |
| Secular | Indicates songs with non-religious themes, focusing on everyday life, relationships, storytelling, or general human experiences. |
Score - Provides external reference links, digital sheets, or downloadable files for the musical score or sheet music, enabling performers to read the exact notes and arrangement.
Midi - Provides digital reference files, downloadable data, or playback resources in MIDI format, enabling electronic instrument tracking, sequencing, or audio arrangement.
Chords - Provides external reference links or chord charts for the song, facilitating performance and instrumental arrangement via Ultimate Guitar.
BPM - Stands for Beats Per Minute, representing the exact numerical tempo and speed of a song.
BPM Grp - Stands for BPM Group, categorizing songs into standardized tempo brackets spanning increments of 5 beats per minute (e.g., 070–074, 105–109) to easily filter and organize tracks by speed ranges.
Umbrella - An internal overarching thematic classification or project grouping that categorizes songs into standardized code ranges (000–079, 080–119, and 120+).
Key - Represents the primary musical key and home tonality of a song, defining its foundational tonal center.
Time - Represents the core time signature of a song, defining its rhythmic meter and beat grouping structure.
MajMin - Indicates whether the primary musical key of a song is in a major or minor tonality.
Ch Prog V - Represents the chord progression utilized specifically within the Verse section of a song. For more details, go to Info about Segments
Ch Prog PC - Represents the chord progression utilized specifically within the Pre-Chorus section of a song. For more details, go to Info about Segments
Ch Prog C - Represents the chord progression utilized specifically within the Chorus section of a song. For more details, go to Info about Segments
Ch Prog B - Represents the chord progression utilized specifically within the Bridge section of a song. For more details, go to Info about Segments
Used Chords# - Indicates the specific chords utilized within a song, including categorized chord families to group variations such as primary tonal roots.
Progr Category - Represents standardized harmonic categories that group functionally interchangeable chord progressions together (such as I-IV-V-vi or vi-bVII-bVI), allowing flexibility in chord order where variations (like IV-I-vi-V) belong to the same overarching structural family.
CHORD C = V - Indicates whether the chord progressions used in the Chorus are identical to or different from those used in the Verse.
Mode MIxture - Indicates whether a song incorporates multiple musical modes.
Duration - Represents the total runtime and length of a song, typically measured in minutes and seconds.
Dur Grp - Categorizes songs into standardized duration brackets spanning increments of 30 seconds (e.g., 3:30-3:59 or 4:00-4:29) to easily filter and organize tracks by length.
Year - Represents the official release year of a song, distinguishing it from its initial composition or recording year.
Decade - Categorizes songs into standardized ten-year spans (such as 1990-1999 or 2000-2009) based on their release year to easily filter and organize tracks by temporal era.
Style - Provides a more specific sub-classification or detailed stylistic sub-genre within the overarching Genre, pinpointing the exact musical flavor or sub-movement of a song.
Albums (Attributes: 0)
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Artists (Attributes: 0)
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Songbooks (Attributes: 0)
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Theory (Attributes: 0)
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InTheMedia (Attributes: 0)
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